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Guards at the Taj

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“If we hadn’t done our jobs tonight, we’d be hanging by our necks in the royal courtyard getting our eyes pecked out by the royal crows. So excuse me if I don’t wallow in some misbegotten guilt all night. Was it fucked up? Yes, it was. But I don’t have to feel terrible about it.”

Jamie Lloyd directs the European premiere of this wickedly funny award-winning play from Pulitzer Prize nominee Rajiv Joseph.

It’s 1648. Agra, India. Imperial guards and best mates Humayun and Babur keep watch as the final touches are put to the mighty Taj Mahal behind them. The emperor has decreed that no one, except the masons, labourers and slaves who exist within those walls, shall turn to look at the building until it is complete.

Now, as the building nears completion and the first light catches on the pure white domes behind them, the temptation to steal a glance at the most beautiful monument the world has ever seen grows stronger. But beauty has a price and Humayun and Babur are about to learn its true cost.

Guards at the Taj takes as its starting point an enduring legend and prompts contemporary audiences to revisit questions about art and privilege. The play premiered at the Atlantic Theatre in New York to great acclaim in 2015 and is the recipient of both the Obie Award for Best New American Play and the Lucille Lortel Award for Outstanding Play (2016).

What The Papers Say
Ashok and Kuppan play [the play’s lightness] with deft street-geek charm
"Ashok and Kuppan play [the play’s lightness] with deft street-geek charm" - WhatsOnStage
There’s certainly no faulting the barefoot leads: A charismatic Darren Kuppan, flaunting a hot torso as Babur, and a sweetly agitated Danny Ashok as Humayun
"There’s certainly no faulting the barefoot leads: A charismatic Darren Kuppan, flaunting a hot torso as Babur, and a sweetly agitated Danny Ashok as Humayun" - The Telegraph
An engaging, intimate and briefly gruesome piece
"An engaging, intimate and briefly gruesome piece" - Evening Standard
Bleak, thought-provoking satire
"Bleak, thought-provoking satire" - Time Out

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